Vietnamese Immigrating Garden (No6)

Vietnamese Immigrating Garden (No5)

Vietnamese Immigrating Garden (No4)

Vietnamese Immigrating Garden (No3)

Vietnamese Immigrating Garden (No.2)

Vietnamese Immigrating Garden (No1)

Confusion Is Chaos Buried

The Land of Spirit and Mythology

In A Breath-Nothing Stands Still, Chapter 3

MYTH IN MYTHOLOGIES

Rehearsal in One's Breath. No2

Rehearsal In One's Breath

In One's Breath-Nothing Stand Still. Chapter 2

Hunt the Hunters

In One's Breath-Nothing Stand Still. Chapter 1

In/Visible Borderline. Chapter 2

In/visible Borderline. Chapter 1

A Case Study of an Image

Myth East Mist

From Regeneration To Creation

Protest Against The Void_No2

Protest Against The Void_No1

Physicality

24 Hours Tension

Today- The Death of Cockroach family

1000 Art Objects Which Have Lost Their Context

Utopia

Red Line

Morning Exercise

Celebration of our moment

Celebration Of Our Moment And Love

Celebration of our moment & Farewell party

What's the mom waiting for?

Chasing

From holding to holding

Celebrating of the the end relaxing time

Artist's taste

Let it grows up on

Rice seeds diary

Birds project

changing Identity

Keep it moving on

Changing breath

22398 steps- 35 hours- 45 square meters- 35 Chinese's ink liters

Vienna-Ha Noi

Let come and taste me

The cover no7

The cover no6

The cover no5

The cover no 4

The cover no 3

The cover n02

New coversation

The cover No 1

Massage

talk and talk

The Conception

Growing up

Safety
In/visible Borderline. Chapter 1
2016

Chapter 1: The Memory of Land and Water

Location: Metahouse Space, Phnomphen, Cambodia, 2016

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IN/VISIBLE BORDERLINE is a research base project. It focuses on Cambodian-Vietnamese border in Mekong Delta area where political ties are strained by distrust and prejudices and long conflicted history.

The Project enquires reflections on the notions of home, identity and migration all in weaving. It also reveals the conflict and ambiguity in relationship between natural-manmade world, and in human histories.
My collaborator and I shift the artist’s roles to be free trading dealers who bargain for the exchanges between audience’s memorial stories to border sculptures made from Palm sugar which grow along both sides of the border. The installation is transformed from a political presentation to a personal interactive installation.
This project aim both to deconstructing the issues of geography borderline and political borderline.

* Found objects/ Video/ and Performative installation

In Collaboration with Cambodian Film Maker Sopheak Sao